Music Services


Tour & Production Manager

Phoebe Green // The Icicle Works // BIMM Institute

I have worked on the touring production of numerous acts across a range of venues and festivals both in the UK and Europe. From independent shows at a hot dog shop in Leipzig, to Touing Circuit support tours, up to headline O2 Academy tours. As well as managing the production for various events for BIMM Institute and other clients. I have honed key skills in logistics planning, organisation, technical knowledge and problem solving. And had the best time doing it along the way!


Backline // Monitors // FOH

On behalf of Bigfish rentals I have worked as a backline tech for the productions of Nile Rogers (& Chic), Toni Braxton, The Wailers & on site tech fo a host of festivals. I have also fulfilled other Tech roles mixing FOH at Matt & Phreds, and on occasions mixing monitors.


Stage Manager

Festivals // Bespoke Events

I've managed stages at a number of festivals including Bestival, Parklife, Bluedot & others. I have also managed the stages at a number of bespoke events, for example at BIMM Institute managing the stage for 22+ bands in a night.



I've played bass for a wide range of acts, many of which during my time at BIMM. I've also committed time to original projects with Megan Dixon Hood & Oli Ng, as well as playing numerous functions and events with Oli.


Backline & Audio Production Rentals

Bigfish Rentals

Over recent years I have progressed into the team at Bigfish, and as such have committed more time there. Starting out as a freelancer mainly driving to deliver and collect equipment, through to becoming employed at the company and involved across many facets. I now have responsibilities spanning across the business, from maintaining equipment, managing inventory, quoting on jobs, liaising with clients, managing social media and teching on site at festivals and shows. With this my knowledge and ability has grown significantly from technical knowledge of the equipment, to people skills and managing business relationships.

I now regularly quote on backline and audio rental for a range of productions ultimately always guided by obtaining the best quality, suitability and value for the clients specifications.